Sotheby's Hong Kong presents a selling exhibition of works by Yayoi Kusama
  Resource:artdaily   2012-05-21 09:26:19  

Two men chat beside the sculpture of Japanese pop artist Yayoi Kusama in a newly constructed Sotheby's gallery in Hong Kong Friday, May 18, 2012. Sotheby's launched Friday its new gallery with 15,000 square feet for expanding its business in Asia. AP Photo/Kin Cheung.

Sotheby’s presents YAYOI KUSAMA – Hong Kong Blooms in My Mind, a unique selling exhibition of works by phenomenal contemporary Japanese artist Yayoi Kusama to be held from 19 to 31 May 2012 at the newly-constructed Sotheby’s Hong Kong Gallery on the 5th Floor of One Pacific Place, Admiralty. One of a series of exciting events celebrating the opening of Sotheby’s Hong Kong Gallery, this exhibition marks a significant expansion of Sotheby’s business in Asia beyond its traditional twice-annual series of auctions in April and October.

Personally titled by Kusama, the exhibition YAYOI KUSAMA – Hong Kong Blooms in My Mind is the result of direct and exclusive collaboration with the artist, her studio and the artist’s long-standing Tokyo gallery, Ota Fine Arts, presenting an assemblage of nearly 40 works of the highest quality with prices ranging from US$20,000 to US$700,000 (approximately HK$160,000 to HK$5.5 million), all of which are available for private sale. The works included in the exhibition cover a wide range of media including works on canvas, sculptures of various sizes and unique works on paper, and encompassing many periods of the artist’s development from the 1950s to present. The artist has been an integral influence in curating this show, which is a celebration of her dynamic body of work and its importance in Hong Kong and the global contemporary art market.

Hidenori Ota, Director of Ota Fine Arts, says, "Yayoi Kusama is a legendary living artist in the history of Post-War Western Art, as well as on the brinks of becoming likewise in Asian Art history. Her borderless mind travels freely and I truly believe that her works will be loved by all Asian people - she is the Pearl of Asia."

“Being a female Japanese artist who has launched a successful career in New York and fascinated both Asian and Western audiences for over six decades, Yayoi Kusama is certainly an astonishing and unique figure in the contemporary art world. Comprehensive exhibitions of her works of such quality spanning over fifty years – especially large-scale sculptures and installations such as the extraordinary works featured - have been an extremely rare occurrence in Asia,” says Evelyn Lin, Head of Contemporary Asian Art. “We are particularly excited to present these extraordinary works for private sale in celebration of the opening of Sotheby’s Hong Kong Gallery. We look forward to bringing this wonderful collecting opportunity to our clients in Asia, discussing with them about their interests and sharing our enthusiasm.”

“Decades after she made her name known in New York, Yayoi Kusama continues to captivate the world today at the age of 84, as demonstrated by the many exhibitions of her works in the past year at major museums and galleries worldwide,” says Miety Heiden, Senior International Specialist, Head of Private Sales, Contemporary Art. “Having sold numerous works by Kusama at auctions in New York and London in previous years with great success, Sotheby’s is excited to present this exceptional and important selection in Asia – one of the very few examples of direct collaboration with the artist and her official representative gallery outside New York – and share with the Asian collecting community our expertise for Kusama’s art directly through the private selling exhibition.”

YAYOI KUSAMA (b. 1929)

With large-scale retrospectives held in major museums and galleries worldwide, Yayoi Kusama is one of the most influential figures in the Eurocentric modern and contemporary art history. Born in Nagano, Japan, in 1929, Kusama moved to New York in 1957, launching a successful and prolific artistic career with works encompassing a variety of media from painting and sculpture to anti-war demonstration and film production, garnering much international acclaim before returning to Japan in 1973 where she has continue to produce artworks and novels. Her creative journey spans the inception and flowering of many sweeping art movements and dominant schools of thought yet defies all classification. Affected by hallucinatory visions since childhood, she channels the uncontrollable psychic energies into her artistic creations, giving rise to motifs including the mesmerising polka dots and infinity nets that now stand as instantly recognisable symbols of contemporary art.


As one of her artistic signatures, Kusama swells regular objects to abnormal size so that they become things of wonder, as seen in the Tulip with All My Love (Fiberglass reinforced plastic, urethane paint, metal, 2010, 295 (H) x 200 x 170 cm, Edition of 3+ A.P.1, unique colours on each work). With these works, Kusama highlights the degree in which the natural world appears strange and uncanny in modern culture. An installation of Tulips was exhibited at the Beverly Gardens Park in Beverly Hills in 2010. At monumental proportions and highly impressive, the tulip sculpture is being showcased in public at the lobby of One Pacific Place, Admiralty, from 17 to 20 May.

The exhibition is also highlighted by a number of pumpkin sculptures in different sizes. Pumpkins are one of the most iconic motifs in Kusama’s work, a fascination that extends from the artist’s youth during World War II. While Japan’s food supplies were low, the Kusama’s family engaging in wholesaling maintained a storehouse full of pumpkins. Thus, Kusama has maintained an attachment to its irregular, bulbous form. The same applies to the watermelon motif, which though rarer also stems from the artist’s focus on growth and fertility.

Many recurring forms can be found in Kusama’s work. Her dots, nets and pumpkins are some of the most easily recognisable, while the motifs of the watermelon and the Dress Hanger (Acrylic and fabric on canvas, 1981, pictured right) are much more obscure. Only a few examples of each were created throughout her career, in different colours and sizes, and the work offered is one of them.

A unique sculpture from 1986, Increment in the Spring (Mixed media, 1986, 100.3 (H) x 60 x 30 cm) is a grand explosion of the artist’s signature bulging forms. The work showcases the artist’s ability to imbue the everyday with psychological intensity and dreams of fantasy. In Increment in the Spring, Kusama places hundreds of phallus-like forms in a spotted box creating a comical composition whose bumps and bulges are strange and intriguing.

First Life Study No. 2 (Gouache, pastel, watercolour on paper, 1953) was executed in 1953 during the very early period in the artist’s career, and it is rare to find works dated from this year on the market. The artist only began to create works on canvases six years later in 1959. The present work examines the artist’s obsessive relationship with dots which later materialised into her acclaimed Infinity Net series, examples of which are also featured in this exhibition. As a child, Kusama would have very elaborate dreams in which polka dots of different colours figured very prominently. Instead of trying to eradicate her obsession, she embraced it, making it the focus of some of her most important works.

corporate overhaul(
Yayoi Kusama Celebrates 84th Birthday With Work That Keeps Evolving 2013-03-25
Damien Hirst and Yayoi Kusama quit Gagosian 2012-12-18
Yayoi Kusama to Leave Gagosian 2012-12-17
Yayoi Kusama also leaves Gagosian 2012-12-17
Yayoi Kusama's 'Red Nets, No. 19' Expected To Fetch Around $500,000 At Christie's September Auction 2012-08-24
Japanese avant-garde artist Yayoi Kusama inspired, obsessed and passionate about polka dots 2012-08-09
The Dotty Art of Yayoi Kusama Comes to Louis Vuitton 2012-07-09
Yayoi Kusama to create work for first Kiev Biennial 2012-03-01
Queensland Art Gallery acquires rare Yayoi Kusama flower 2012-02-10
Japanese artist Yayoi Kusama's unique vision of the world on view at Tate Modern 2012-02-09